Mark
Bryan Interview for StreetLevel.Biz 2/12/07
Who
is Mark Bryan?
I’m a white guy, 56 years old, married 32 years,
two kids. We live in a small town on the coast of California.
I grew up in LA in the 50’s and 60’s. The
Red Scare, Atomic War, the Watts
riots, Leave it to Beaver and alien
invasions come to mind. It was a disturbing time,
but then aren’t they all? It always seemed something
was not quite right with the world. I still carry that
feeling with me. I became a hippie, I Didn’t trust
Nixon, still don’t, ”Peace Brother”.
I tried to stay out of Vietnam and succeeded. Psychedelic
culture was interesting for a while but reality was hard
enough without the extra embroidery. I stayed out of trouble.
I was always an artist. I had something to say but not
with words. It was my identity, how I stood out, how I
got the girls to like me. Yes I painted that, “I’m
an artist”
How
would you describe your art? Using
words to describe pictures is always tough. Some say
an artist is the last person to ask about
what
they’re
doing. “Talk to the experts”, but I’ve
read a lot of stuff by the critics and man they are
full of it too. So you may as well listen to me.
I
went to art school and was exposed to all the traditional
work of western art history. That stuff
is all in there
somewhere but style wise I think my work
is a strange mix of Surrealism, underground comics, political/social
comment, sci-fi illustration and landscape painting.
Prevalent in almost all the work
is a dark disturbing humor.
I
seem to have a deep disappointment in human behavior
and a rather pessimistic view about our future. This
attitude is obviously reflected
in the work.
I suppose using humor is the only way to make it palatable to the
viewer and
me. I seem
compelled to make comments about what’s going on. Maybe I would make just
pretty stuff if things were different but there is so much crap and injustice
going on in the world that it is impossible for me to ignore it. Well, that’s
not completely true. Sometimes I do take a break and just paint something that’s
purely ridiculous. People need to laugh, and of course, they like those
paintings the best.
When
did you realize that art was your way of life?
I
can’t remember not thinking that painting was the best possible
way to make a living but it took a while to make that happen.
I
got married young, had kids right away. I was insecure
about my abilities as a painter and with good reason.
(It takes years
to put
out even
half ass work)
Our situation made it hard to be just an artist. For about
20 years I was a carpenter and builder. About 1990
I knew I had
to get back
to it
if I wanted
to be a happy
guy. Who have been some of your main influences as an artist? As a person?
I
am influenced a lot by the older stuff. Of the great masters
I would say that Goya is the most important to me. His
skill as a painter was incredible
but his social and political comment were even more powerful. He had
a genius for depicting the stupidities, hypocrisy, and
superstitions of the human
race. Honest criticism of the powerful was very risky in those days.
His Disasters of War and Los Caprichos engravings are my
favorites.
Gustave
Dore and Pieter Bruegel are also important because of their
big-picture cosmic view of the human predicament. Dore’s illustrations for Paradise
Lost and the Divine Comedy are mind blowing. Bruegel’s Triumph of Death
and The Tower of Babel are among my favorite paintings ever.
More
recent artists that have influenced my work are the Surrealists,
the Social Realists and Expressionists. George Grosz, Otto
Dix and
others had
the courage
to criticize the Nazi’s to their face.
A
big influence in my own life was living for a few years
with two members of the “Los Four” group, the grandfathers of the Chicano art
movement in LA. I worked with them on some of their mural projects for the
United Farm
Workers Union. They introduced me to the work of the great Mexican muralists, Rivera, Orozco, and Siquieros. The idea that art could be used as a tool
to bring light to injustices and that artists have some responsibility to
make
comment about the times and expose the villains of the day was made clear
to me by their work
How has politics taken a center stage in your art?
I
don’t consider myself primarily a political artist but I have always
tried to include some kind of comment and symbolism in my pieces. I’m
not usually satisfied to just make something pretty or funny.
Most of my work in the past had social, religious or political
undertones and made comment
in a general way about the human predicament.
Only
in the past few years have I aimed some of my work at specific
individuals or situations. Events in the world, the environmental
emergency and the
political direction of this country have been alarming to me.
There are always problems
and villains but the guys running things right now seem to
work day and night against everything I believe in. They
are robbing
us blind,
killing
our children
and rapidly moving this country towards a fascist state. They
should be in jail for what they have done. I have a lot of
anger about
this. I feel
that
this is a time for artists with a political bent to make stronger
statements with a clear message. I don’t know if this really
has much effect on the situation. I hope so, but at least I think
it contributes to the general
culture of resistance and it has a therapeutic value for me.
Others of like mind also seem happy to see their feelings made
real visually. I have attempted
to retain in this work the fun that can come from satire and
parody and at the same time deal with these serious subjects.

"
Fat Man and Mr. Death" Oil on canvasl 30 x 24" 2006
What
is your favorite discipline in art?
Drawing
is the soul of art but painting to me is the main course.
With paint it is possible to create an entire world.
What
would you tell someone contemplating pursuing art
as his or her way of life?
It
won’t be easy but it will make you feel alive.
Do
you choose your subjects or do they choose you?
Most
of the time I think they choose me. The way it works
for me is like this. A problem or topic brews in the
back of my mind for a while and then like a dream,
a picture pops into my head all at once. Often one
picture leads to another. After a while a personal
vocabulary develops and gets used again and again.
Can
art be as deadly as a gun?
Guns
don’t work on the mind only the flesh. Art can
sometimes make the viewer want to kill the artist.
It can also be used in propaganda, and like a gun in
the wrong hands, can be deadly, in some cases, more
deadly.10. What's new and hot off the press?
I’ve
taken a break from the Bush gang for a little while.
I’ve been working on large landscapes with strange
buildings, flying monkeys, Mr. Death beating the drums
of war, also some purely humorous work. For example
The Madonna breast feeding a giant baby in a brown
suit.
Finish
the following statement. Good artists borrow, great
Artists.....?
“ Steal” comes
to my mind immediately like in those word association
games. Not much is really new but I think the sign
of a great artist is the ability to make the old new
again and relevant to our time. And then of course
a new crop of artists begins to steal from him.12.
What is your most important goal as an artist?
My
first goal is to be successful enough so that I don’t
ever have to do anything else. After that I would like
to think that I am contributing to the current culture.
An artists’ mission is I believe to observe,
make comment, entertain, and to provoke thought.
If
you could meet anyone living or dead, who would that
be?
Rev.
Martin Luther King, if he’s not available then Helen
of Troy.
Where
do you see yourself in 10 years?
Hopefully
still painting. This kind of endeavor is like a journey
into oneself. So far it has been very interesting and
I expect it will remain so.
What
is the biggest misunderstanding about yourself?
Well
of course it’s hard to know what other people
are really thinking, but when they see my work most
think I’m some kind of crazy wacky personality
but actually I’m fairly quiet and introverted.
Maybe my art is a way to balance things out. Also,
I think that most artists become known for a few standout
works but few see or know the range and variety of
their work.
If
you had to live in one room for your entire life,
what would it look like?
First
of all it would have to be huge and at minimum include
a world-class surf break. That’s not really a
room you say but it’s my room dammit. All I can
think of is a kind of personal heaven with all the
people and stuff that I love, and a good bed. Is that
too much to ask?
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